The SUNY series Horizons of Cinema
The Great War in Hollywood Memory
- World War, 1914-1918 -- Motion pictures and the war.
- Motion pictures -- United States -- History -- 20th century.
- War films -- United States -- History -- 20th century.
- Historical films -- United States -- History -- 20th century.
- Collective memory and motion pictures.
Assesses how America’s film industry remembered World War I during the interwar period.
This is the definitive account of how America’s film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war’s memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell’s Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.
“Hammond’s intelligent and insightful account of the formation of cinematic treatments of the Great War in America constitutes a major addition to the critical literature on film. It acts as a prism through which to see refracted multiple themes central to the social and cultural history of the interwar years.” — Jay Winter, author of War beyond Words: Languages of Memory from the Great War to the Present
Introduction: Dr Otternschlag Goes to Hollywood
Part I. Kleos: Glory
1. The War on the Ground: From Edenic to Blasted
2. The War in the Ground: “I am the grass, let me work”
3. The War in the Air
4. Forbidden Zones: Women, Vernacular, and “War as it really is”
Part II. Nostos: Home
5. Veterans: “Sweet jangled bells, out of tune”
6. War Relic and Forgotten Man: Richard Barthelmess as Celluloid Veteran
7. The After-Images
[Excerpt: Introduction (pdf):]
Michael Hammond is Associate Professor of Film History at the University of Southampton and the author of several books, including The Big Show: British Cinema Culture in the Great War, 1914–1918.
Hammond, Michael [1954-]
The Great War in Hollywood Memory.
Albany, NY: SUNY Press, 2019 , xxxii, 285 p., ill.,
(The SUNY series, Horizons of Cinema.).
ISBN 9781438476971 (hb., $95,00)
ISBN 9781438476964 (pb., $33,95)
ISBN 9781438476988 (eb.)